Saturday, December 18, 2021

Family behind Cheese Shop marks 50 years. The bad news: Sandwich-making is going away until further notice.

(By Ben Swenson, Virginia Gazette, 13 December 2021)

The storefronts of Power Family establishments The Cheese Shop and Fat Canary along Duke of Gloucester Street. (Ben Swanson)

Some people thought Thomas Power was crazy.  The idea of opening a specialty shop selling fine wines and cheeses in Newport News, of all places, seemed like a long shot. Even those close to him expressed doubts. But Power, a military veteran and determined entrepreneur, had a vision and a family willing to work as hard as he did, and The Cheese Shop of Virginia was born.

That was in 1971, and it turned out to be a good decision. Fifty years later, The Cheese Shop and Fat Canary in Merchants Square remain iconic Peninsula small businesses, but the Power family’s ventures represent something more, too — an enduring effort to act as a force for good in the community that supports them.

Yet even after five decades of service in the local hospitality industry, the Power family isn’t immune to economic challenges, and these disruptions continue to guide decisions about the course of their business and what they see as their responsibility as a local employer.

                  

The Power family, from left: Mary Ellen Power Rogers, Tom Power, Jr., Mary Ellen Power (seated) and Cathy Power Pattisall. Against the far wall to the right is a photo of Tom Power. Courtesy of Corey Miller (HANDOUT)

Mary Ellen Power Rogers now runs the family’s businesses with her siblings Cathy Power Pattisall and Tom Power Jr. They’ve taken the reins from their parents, Tom Power, who died in 2017, and matriarch Mary Ellen “Myrt” Power, who still stops by The Cheese Shop and Fat Canary frequently, but no longer has the active role in day-to-day operations that she once did.

Rogers said that she and her siblings have decided not make its renowned sandwiches until further notice.  They are simply too short-staffed to continue to operate business-as-usual, Rogers said. The Fat Canary, the cheese board, wine shop and the retail sales will continue.  Rogers said that the family sees this sandwich-making pause as another one of many challenges they’ve encountered running a community-focused small business — something the family has been navigating for half a century.

The first Cheese Shop opened in Newport News’s Warwick Shopping Center in 1971.  The storefront was small, Pattisall said, but an expansive storage area in the back, set up with bean bag chairs and other kid-friendly accommodations among the inventory, was where she spent countless hours during childhood. She remembers trips in the family station wagon, which was stuffed with cheese bound for the shop. When she was naughty, the punishment could be putting price tags on endless boxes of Stoned Wheat Thins.

The Cheese Shop got its French bread from a facility in Norfolk. The same day that Pattisall got her driver’s license at age 16, her mother sent her by herself to go get the bread.  “We were young, but there was a vibe, and we understood how important this was,” she said.

Former Newport News city councilman and vice mayor Bert Bateman knew the Power family and said they established The Cheese Shop as a community cornerstone early on. Bateman’s father, the late Congressman Herb Bateman, always looked forward to conversations with the elder Power about wine and cheese.  “I tried many things I never would have because of the Powers,” he said.

In 1973, the family opened a second Cheese Shop on Prince George Street in Williamsburg. Locals, college students and tourists frequented the location. A large part of the appeal, said Pattisall, was Tom Power’s genuine interest in people.  Mary Ellen Power was responsible for the unending and thankless task of all the behind-the-scenes work, such as payroll and accounting. She was the rock upon which the family business rested, Pattisall said.

The children remained active in the business through college and into adulthood. But it was the elder Tom Power who was the public, friendly face of the operation.  “Daddy thrived in that environment,” Pattisall said. “He was meant for that.”  The Cheese Shop established itself and its products as a local institution. The Cheese Shop sandwich, with its secret recipe Original House Dressing, became “the tail that wagged the dog,” she said.

Nevertheless, over the years, the family business changed and grew. In 1978, the Powers sold the Newport News Cheese Shop to George Ackerman, who independently operated the store until his death in 2014. In 1980, Tom Power partnered with John Curtis and Marcel Desaulniers to open The Trellis, and the family kept a stake in the popular restaurant for 14 years.

The Cheese Shop, one of Williamsburg's most popular eating spots, has settled into its new location on Duke of Gloucester St. in Merchants Square. (DAVE BOWMAN / DAVE BOWMAN)

The Cheese Shop, one of Williamsburg's most popular eating spots among tourists. It has settled into a new location on Duke of Gloucester St. in Merchants Square. (DAVE BOWMAN / DAVE BOWMAN)

In 2003, The Cheese Shop moved from Prince George Street to a larger space on Duke of Gloucester Street in Merchants Square, and the Power family launched Fat Canary, with Tom Power Jr. at the helm as executive chef.

David Niebuhr, a longtime Williamsburg resident, said that Williamsburg hasn’t always been the cultured town it has become today. The Cheese Shop helped usher in a transformation because it was the only place one could get better wines, cheeses and specialty foods, such as pate.  “Even now that Williamsburg is so much more sophisticated, it’s still a go-to place to get unique hors d’oeuvres, olives or bread for a dinner party,” Niebuhr said. “And, of course, the sandwiches are legendary.”

The product and customer experience remained a priority, but the Power family, from the beginning, saw their role in a broader context, aiming to be a good community partner and generous employer.  Tom Power became involved in local causes and organizations. He helped establish the Williamsburg Farmers Market and served on the board of directors for TowneBank Williamsburg, a role later assumed by his daughter Cathy.

The Power family forged a deep connection with the College of William & Mary. Williamsburg city councilman Caleb Rogers, who graduated from W&M in 2020, and who is not related to Mary Ellen Power Rogers, said that when he arrived in town for a campus tour the year before he matriculated, he asked for a recommendation for a lunch spot. The reply was swift and fervent: The Cheese Shop. And be sure to get the house dressing.  “It’s one of those few places in Williamsburg that’s on the bucket list of places to go to get the full experience of the city,” he said.

In May 2017, the president of W&M at the time, Taylor Reveley III, presented Tom and Mary Ellen Power with the university’s Prentis Award, which recognizes distinguished community service and a W&M connection.  In nearly half a century in Williamsburg, the Powers employed many hundreds of people, a significant portion of whom were W&M students. Every year on homecoming weekend, hundreds of alumni stop by The Cheese Shop, Pattisall said.  In his acceptance speech for the award, Power talked about the importance of his employees. His words were not just idle chatter.

For 25 years, the family businesses were closed on Sundays — a result of Virginia’s blue laws — and employees and their families were often invited to the Power home to enjoy a cookout. To this day, employees of The Cheese Shop and Fat Canary are provided a meal before their shift, often eaten together, family-style.

For Niebuhr, who has lived in Williamsburg since 1978, the family’s philosophy and way of conducting business is a glimpse of a different time in the city’s history.  “It’s more than their philanthropy and interest in and service to the community,” he said. “The business still reminds me of small-town Williamsburg.”

A month after receiving the Prentis Award, Tom Power, age 81, died while vacationing in Bermuda with Mary Ellen, whom he’d been married to for 56 years.  The businesses were strong enough to withstand the passing of the patriarch, but Mary Ellen Power Rogers said that the pandemic has offered an unprecedented set of circumstances. Typically, the businesses employ about 80 people. Today, there are around 50 people on the payroll, with few or no applications for open positions.

Weijia Jiang moves through the crowded Cheese Shop in Williamsburg with a bowl of Orzo Spinach and Feta Cheese in this undated photo. The restaurant serves hundreds of people during the mid-day meal. Staff file (DAVE BOWMAN / DAVE BOWMAN)

The employees are stretched too thin to keep all the components of the operation running safely, according to Rogers.  “We’re so short-staffed it’s unhealthy, and we have an obligation to keep our staff healthy,” Rogers said.  Already the Powers have reduced the number of days the businesses operate. The Cheese Shop started closing on Mondays in June and later narrowed the time window during which they made sandwiches.

Rogers said the family looked at this from every angle and tried to figure out how to keep the sandwich-making going, but it’s just not possible to continue at current staffing levels. “We really hate to disappoint people,” she said.

According to Rogers, the family understands that unfilled positions are a national problem, and that small, independent businesses are feeling the pinch especially hard. She hopes that people will consider supporting local establishments and, if they can, apply for jobs.  Rogers said that the family can’t say when The Cheese Shop sandwich will return, only that they hope it’s sooner than later.  “We will resume,” she said. “It’s what we do.”

https://www.dailypress.com/virginiagazette/va-vg-cheese-shop-1215-20211213-i5kdpvsq35e4rl6qqvx6gxyrqu-story.html







Saturday, September 4, 2021

Abba Reunite With First New Album In 40 Years

 Swedish hitmakers return with "Voyage", an album of brand new material and digital avatars will perform in a London concert residency in 2022

(Ben Beaumont-Thomas & Mark Brown, The Guardian, 2 September 2021)

One of the most anticipated comebacks in pop culture has finally come to pass: the return of Abba.

Forty years after the bitter songs written in the wake of two band divorces for their last album, 1981’s The Visitors, the Swedish pop quartet has reunited for Voyage, an album of brand new songs that will be released on 5 November – including, they say, a Christmas song. Two tracks from it, the stately and epic ballad I Still Have Faith in You and the shimmying Don’t Shut Me Down, are out now.

The group – Benny Andersson, Agnetha Fältskog, Anni-Frid Lyngstad and Björn Ulvaeus – have also announced a new concert experience in London, also called Voyage, beginning in May 2022. Digital versions of themselves (not holograms, their team asserted) will appear nightly alongside a 10-piece live band at a new 3,000-capacity venue in the city’s Olympic park, called the Abba Arena. Tickets go on general sale on Tuesday 7 September.

Lyngstad said of their reunion: “Such joy it was to work with the group again – I am so happy with what we have made,” and called Andersson and Ulvaeus “exceptionally talented, truly genius songwriters”.  Ulvaeus said of Fältskog and Lyngstad: “I was completely floored by the way they delivered those songs,” with Andersson saying: “I think hearing Frida and Agnetha singing again is hard to beat.”  Andersson added: “We’re truly sailing in uncharted waters. With the help of our younger selves, we travel into the future.”

Abba’s digital avatars were created using motion capture technology, similar to that used by Andy Serkis and others to portray CGI beasts in Hollywood movies: the group was filmed in skintight suits for the lifelike recreations. Wayne McGregor, resident artist at London’s Royal Ballet, choreographed the band’s performance, and an 850-strong team from George Lucas-founded effects company Industrial Light & Magic designed and animated the de-aged avatars from the footage.

McGregor said: “Imagine: growing up in the north of England in the 70s and learning to ballroom, Latin and disco dance to the incredible songs of Abba. I was eight and I was totally transported. Fast forward to 2020, being in Sweden and dancing with Abba – in real life! I was about to be 50 and I was totally transported again. That is the magic of Abba.” He promised “technological wizardry, state of the art immersion and entertainment innovation. And still at its searing heart we simply have new songs, new moves, classic songs, classic moves.”

The footage is directed by film-maker Baillie Walsh, and produced by Johan Renck – best known as the Emmy-winning director of TV miniseries Chernobyl – and Svana Gisla, who worked with Renck on videos for David Bowie’s final album, Blackstar. Also on the creative team is Benny Andersson’s film producer son, Ludwig.

Both the concert and album have been mooted for some time. The avatar concept – or “Abbatars” as Ulvaeus has called them – was announced in 2016 by music manager Simon Fuller (who is not involved with the 2022 iteration). In 2017, Andersson elaborated on the project, saying: “It will take a bit of time, it takes time to digitalise a face. It’s fun that it’s so technologically advanced.” In 2018, a TV show featuring the avatars was announced, co-produced by the BBC and NBC, which has not yet been aired.

The group also announced that meeting up for the project had “an unexpected consequence. We all felt that, after some 35 years, it could be fun to join forces again and go into the recording studio. So we did. And it was like time had stood still and we had only been away on a short holiday. An extremely joyful experience!”

Two songs were initially written and recorded, including I Still Have Faith in You, but their release was pushed back to early 2019, then late 2019, but never emerged. Since then the group have continued writing and recording, eventually ending up with a full album of material.

In the interim, their pop cultural heft has continued to grow. The stage musical Mamma Mia!, debuted in 1999, and recently reopened in London’s West End, reintroduced the group’s hits to new generations. A 2008 film version made more than £440m in global box office takings and is an enduring family favourite: it is the UK’s biggest-selling DVD ever. A 2018 sequel, Mamma Mia! Here We Go Again, made £285m globally.  Their ongoing popularity has meant that their 1992 greatest hits collection, Abba Gold, is the longest-running album in the UK album chart. In July, it became the first to surpass 1,000 weeks there, and is currently sitting at No 14.

Long before the musical and movies, however, their song catalogue was already one of the most successful – and brilliant – in all pop music. Having formed in 1972, at the height of their fame in the mid-1970s six out of seven singles in a row reached No 1 in the UK: Fernando, Mamma Mia, Dancing Queen, Knowing Me Knowing You, Name of the Game and Take a Chance on Me. They had three further No 1s and a total of 19 Top 10 hits.

The reunion also brings two pairs of once-married couples back together. Lyngstad and Andersson were engaged in 1971, the same year that Fältskog and Ulvaeus married, but by 1981, both couples had divorced within a year of each other. Their romantic strife was explored with great candour in songs such as The Winner Takes It All, and in the psychodramas of their final album in 1981.

The group fizzled out in 1983 without an official breakup announcement. In the years since, Fältskog released 12 solo albums, most recently A in 2013; Lyngstad released three albums and made occasional one-off recordings.  Andersson and Ulvaeus co-wrote numerous musicals, including Chess with Tim Rice, and in 2013 they worked with EDM producer Avicii to compose the theme for the Eurovision Song Contest, which they had won with Waterloo in 1974.

The group have long denied they would ever perform live again. In 2014, Lyngstad said: “We only have one answer and that is no … No amount of money would change our minds. Maybe we sometimes say it would be good to do a song together again, just a recording and nothing else.”  In 2016, they did perform one song together at a party to celebrate 50 years of the Andersson-Ulvaeus songwriting partnership: The Way Old Friends Do.

Speaking at a London launch event for Voyage, Ulvaeus said the band was as close as they ever were. “It is incredible to be where we are, no imagination could dream up that. To release a new album after 40 years and to still be the best of friends … to still have a total loyalty. Who has experienced that? Nobody … It is such fun and we have been longing for this for such a long time.”  Why do the project now? “We wanted to do it before we were dead,” he said.

Andersson, also appearing, said the worst of the filming was when they had to shave their beards. “I’ve had mine 50 years.”  Ulvaeus said they chose London to host their live show because “London is the best city to be in when it comes to entertainment, theatre, musicals … We have always felt that the Brits see us as their own.”

Asked what the best thing about being in Abba is, Andersson replied, with refreshing candour: “Not having to worry about the money. You are free to do anything, to keep on writing the music.”

https://www.theguardian.com/music/2021/sep/02/abba-reunite-for-voyage-first-new-album-in-40-years?CMP=oth_b-aplnews_d-1